Random Ramblings from the British Druid Order's Chief Wolfsbody
Gorseddau (singular, Gorsedd) are Bardic gatherings, usually involving both ritual and performance. Gorseddau are often linked to specific sacred sites, as with the Gorsedd of Bards of Caer Abiri, the first founded by the BDO, which meets at Avebury in Wiltshire, and the Gorsedd of Bards of Caer Pugetia, the BDO’s first seeding of an overseas Gorsedd, which meets in Seattle, USA.
I always find it hard to sleep when the moon is full, so was up and out very early this morning. As the sun rose over the village, I crossed the road and the brook, sacred to the goddess, Sulis, lined with springs. The nearest of these was revered by Anglo-Saxon ancestors as a local manifestation of the Bubbling Cauldron (Hvergelmir) at the roots of the World Tree, around which coils the serpent/dragon, Nidhoggr. Here's my drawing of the World Tree from the BDO Bardic Course. Click the picture to expand it.
By the spring, I met an early dog-walker. Her dog, an old black and white collie, adopted me for a while as she went on ahead and he padded along at my heels. Our ways parted and I walked up the Green Path to a space between the trees where I could see out across the fields and the edge of the village, with a clear view of the sun. Took out my drum, held it to the newly risen sun, played and sang. With frost on the grass in the dips, I wondered if the drum would sound. I needn't have worried, the Red Deer's golden skin immediately absorbed and responded to the light and warmth of the golden fireball in the East and the lightest tap of my fingers brought forth a clear, ringing tone.
I added another goddess to the list of deities and spirit beings called upon in my morning salutations. Having been with the White Horse Camp until yesterday afternoon, we had discussed honouring this goddess in a ceremony there this morning, and I wanted to connect with my friends at the camp from my quiet corner of North Wiltshire. I live just off the Northern edge of Salisbury Plain, within the territory of the Bronze Age people who created the beautiful chalk hill figure, the Uffington White Horse, etched into the greensward beside a rectangular earthwork on White Horse Hill in South Oxfordshire. Just above the Horse runs the Ridgeway, one of Britain's oldest prehistoric trackways, sections of which are still walkable. The Ridgeway once wound from the Norfolk coast to reach the sea again in Dorset, passing by many ancient sacred sites along the way, including Wayland's Smithy, Avebury and Wodnesbeorg. One of the White Horse's tasks, I believe, was to guide and assist walkers along that ancient track. My area of North Wiltshire is known to have had at least fourteen other chalk hill figures of horses etched into its hillsides.
Short digression: In 1996, I led a Midsummer ceremony among the great stone circles of Avebury. Part of its purpose was to honour World Peace and Prayer Day, an idea inspired by the birth of a White Buffalo Calf in Wisconsin two years earlier. This event was seen as being of great spiritual significance by many Native Americans, who greeted it as a sign that their ancestral ways would be returning to them with renewed power. This is because, long ago, it was White Buffalo Calf Woman who brought the Lakota, Dakota and Nakota peoples their seven sacred ceremonies and taught them how to conduct them for the benefit of the tribes and of all beings. Joining us at that ceremony in 1996 was a young Lakota who came because he had a vision of a White Horse while he fasted in a cave on Bear Butte, a sacred, holy place for many Native Americans. His vision led him to Avebury and to us, since our ceremony was being held at a place sacred to the ancient people of the White Horse. He brought with him a song he had been gifted during his vision and sang it for us in the circle. I am ashamed to say that a few drunken members of the Loyal Arthurian Warband shouted abuse at him as he sang. He didn't let them phase him though. His voice, his spirit and his song remained strong and true.
After the ceremony, we talked. He asked if folk in England always yelled insults at people during sacred ceremonies. I explained the behaviour of the drunks as best I could and apologised for it. He said with a sigh, "Yeah, we get 'em back home too." We talked about Wannabee Indians and he said, "If people over here think it's so damn great being an Indian they should try living on the Res for a couple of years."
We also discussed his vision. He said he had come to us because he felt there was a link between the birth of the White Buffalo Calf, White Buffalo Calf Woman who taught the sacred ways to his people, and our native British White Horse spirit. I've been thinking about this again recently and am more than ever convinced that he is right. I believe we have our own teacher of sacred ceremonies and spirit ways, centred on this area of rolling downland where the most famous of them all, the Uffington Horse, bestrides the hillside above Dragon Hill. So, who is our native White Horse Woman? I believe she is Rhiannon, 'the Great Queen,' who features in the First Branch of the Mabinogi, where she first appears riding a magical horse and later acts as a horse herself, carrying travellers on her back. Here she is, from the Druid Tarot I designed many years ago (available from the BDO webshop). If I'm right about this image derived from a Gaulish coin representing the same horse goddess (perhaps under a different name), then the spirit of the White Horse reaches far beyond the area where I live.
I believe that she is one of the prime movers behind both the White Horse Camps (formerly OBOD Camps) and the Avebury Gorsedd. An interfaith conference organised by Tim Sebastion in 1993 featured the first ever ceremony of the Gorsedd of Bards of Caer Abiri, a ceremony I created for the event and which is still conducted at Avebury today. During the same weekend OBOD's chief, Philip Carr-Gomm, and Dr. (now Prof.) Ronald Hutton went for a walk around the stones and Ronald suggested that Philip should organise a Druid camp. The first camp took place at Lammas 1994 and included a trip down to Avebury to join the Gorsedd celebration there, again conducted by me, still flying from having encountered my spirit Wolf in a sweat lodge on the camp the night before.
That first camp became a template for many others and similar camps are now held throughout the year by five different Druid group in the UK and by OBOD and others in the Europe, the USA, Australia and elsewhere. The Avebury Gorsedd also became a template for similar festival celebrations at Stonehenge, the Long Man of Wilmington, Stanton Drew and elsewhere in the UK and, as with camps, at many other sites around the world. Part of the Gorsedd ceremony even featured in the closing ceremony of the London 2012 Paralympics, broadcast live to a global audience of millions.
When things have such power, that power must have a source, or several sources. In the case of White Horse Camps and the Avebury Gorsedd, linked by the Ridgeway, the power came from a combination of time, place and people, but also from Rhiannon, our White Horse Woman. I believe that our presence and our intention to revitalise the ways of our ancestors called her forth in the 1990s to teach, inspire and empower us, just as she had our ancestors in the distant past. Long may she continue to guide us in the recreation of our ancestral ways. I trust that many of us will honour her, and give thanks for her gifts, in our ceremonies as we celebrate the first fruits of the harvest this Lammastide.
Hail and blessed be!
and a blessed and inspiring Lammas/Lughnasad/Gwyl Awst to one and all!
In the folk calendar of Britain, Midsummer's Eve takes place on June 23rd, Midsummer's Day on the 24th. Records of celebrations being held on these days go back at least as far as the 14th century, when a monk of Winchcombe, on the Cotswold edge of Gloucestershire, refers to local folk rolling a flaming wheel down a hill on Midsummer's Eve. A similar rite was held on the same day in the Vale of Glamorgan in south Wales in the 1820s and is described in some detail:
“People conveyed trusses of straw to the top of the hill, where men and youths waited for the contributions. Women and girls were stationed at the bottom of the hill. Then a large cart wheel was thickly swathed with straw and not an inch of wood was left in sight. A pole was inserted through the centre of the wheel, so that long ends extended about a yard on each side. If any straw remained, it was made up into torches at the top of tall sticks. At a given signal the wheel was lighted and set rolling downhill. If this fire-wheel went out before it reached the bottom of the hill, a very poor harvest was promised. If it kept lighted all the way down, and continued blazing for a long time, the harvest would be exceptionally abundant. Loud cheers and shouts accompanied the progress of the wheel.”
A similar ceremony is mentioned in the 4th century Acts of Saint Vincent as having taken place amongst pagans in Aquitane in southern France, who rolled their fiery wheel down a hill and into a river, from which they rescued the charred pieces to reassemble them in a temple to their sky god.
Ronald Hutton, in his 'Stations of the Sun' (Oxford University Press, 1996, page 312), says that Midsummer's Day “occupied much the same relationship with the solar cycle as Christmas day; it represented the end of a solstice, the period in which the sun ceased to move for a short period, but rose and set at the same points on the horizon at the extreme end of its range. Now, however, it was ta the height of its strength, and light at its longest, and Midsummer Eve represented the culmination of that period of apogee, just before the days began to shorten again as the sun moved southward. In response to the swelling of heat and light, foliage and grasses were now likewise at their fullness, before the time of fruiting approached. No wonder that it seemed a to be a magical time to the ancient Europeans.” He adds that “In the northern half of the continent the festival was generally the most important one of the whole year.”
Why, then, do most modern Pagans celebrate midsummer on the day of the summer solstice and not, as our ancestors did, a few days later on June 23rd-24th?
The answer is not hard to find. The idea of celebrating the summer solstice comes from William Stukeley, who associated Druids with Stonehenge and, in 1720, was the first writer to mention the solstice alignment of the Hele Stone with the centre of the circles there. Iolo Morganwg, founder of the Gorsedd of Bards of Britain in 1792, visited Stonhenge and followed Stukeley in believing that Druids celebrated the solstice there. The same alignment was central to a book called 'Stonehenge and Other British Stone Monuments Astronomically Considered,' published by Sir Norman Lockyer in 1906. This book influenced the Ancient Druid Order, who started holding rituals at the henge a few years after its publication. By the time Gerald Gardner and members of his coven were creating Wicca in the late 1940s, the idea of celebrating the solstices had become firmly fixed in the public imagination, and so the solstices became part of its festival wheel of the year. All of them either ignored, or were unaware of, the ancient and pan-European tradition of celebrating on the 24th.
Why then, you may ask, is the Stonehenge Hele Stone aligned on the summer solstice sunrise, as is an avenue of stones at Callanish in the Orkneys and some of the stone rows at Carnac in Brittany? First, we may question whether the alignments actually are on the solstice or on Midsummer's Day. After all, it is the nature of solstices that the sun's rising position barely alters for about a week. Given the once pan-European custom of celebrating Midsummer's Day, by far the most likely explanation for the alignments is that they were designed to be watched in the run-up to midsummer, giving those who understood them time to spread the word that the festival day was approaching. Early agricultural communities were spread out over wide areas and travel was largely on foot. We know that people came to Stonehenge from all over southern England and as far afield as Switzerland. A decent amount of advance warning of festival dates was essential.
Incidentally, it is currently fashionable to say that the major alignment at Stonehenge is not on the summer solstice sunrise, but on the midwinter sunset. While there can be no doubt that there is a midwinter alignment at Stonehenge, there is also, as Stukeley correctly surmised in the early 18th century, an extremely clear midsummer one. One does not cancel out the other.
You may ask if it matters which day we celebrate midsummer or midwinter on? Personally, I think it does. Having been a Pagan for half a century or so, I've observed a lot. One of the things I've observed is that celebrating the solstices often causes problems. An obvious example is the amount of aggression that has often been associated with celebrations of the summer solstice at Stonehenge. In the early 20th century, the then head of the Ancient Druid Order became so incensed at being asked to pay sixpence to get in to the the henge that he uttered a long and angry curse on their owner. In the 1950s, the Ancient Order of Druids, who had been meeting at the henge annually since 1905, vowed never to do so again after loud, drunken hecklers climbed all over the stones during the AOD's solstice ceremony. In 1985, the police and soldiers in police uniforms smashed up vehicles attempting to get to the henge for the solstice, beating unarmed men, women and children in what became known as The Battle of the Beanfield. When I attempted to hold a ceremony for world peace at Avebury on the summer solstice of 1996, it was disrupted by angry drunks. By contrast, those I've held on Midsummer's Day have been peaceful, joyous and focused.
A kind of testosterone madness kicks in at the summer solstice which has dissipated by Midsummer's Day, a few days later, when the solar tide has turned. If we are truly attempting to restore, or at least be inspired by, the spirituality of our ancestors, then surely it makes sense to try and follow the ways in which they rode the cosmic tides. This is perhaps especially true of the solstices, the two annual festivals our ancestors regarded as vital, pivotal times of the year, times of magic and divination and of great power.
When Emma Restall Orr and I founded the Gorsedd of Bards of Cor Gawr at Stonehenge in 1997, we made sure it would celebrate Midsummer's Day. This works out well, as a quiet, focused ceremony attended by no more than a hundred people restores a sense of peace to the place after the wildness of the solstice celebrations which attract many thousands.
In Cornwall, the old tradition has been maintained, and a string of hilltop fires are kindled each year on Midsummer's Eve, June 23rd, just as the sun is setting. The accompanying ceremony is spoken in Cornish and climaxes with a Lady of the Flowers casting into the roaring flames a garland made up of good herbs, those believed to have medicinal qualities, along with bad herbs, those that are poisonous, and sprigs of oak, rowan and foxglove.
I suppose rolling flaming wheels down hills would land us in trouble with Health and Safety regulations these days, but there's no reason why more of us shouldn't celebrate midsummer at Midsummer.
Merry Midsummer to one and all,
Now here's a little treat for you for having read this far. "Oh do not tell the priest of our rites, for he would call it a sin, for we've been out in the woods all night, a'conjuring summer in..."
On Sunday, September 22nd, 2013, about a hundred people gathered inside the vast bank and ditch earthworks of the Avebury henge in Wiltshire, with its huge sarsen stone circles erected by our ancestors in ages past. We were there to celebrate the 20th anniversary of the foundation of the Gorsedd of Bards of Caer Abiri. To mark the event, I'm posting a pdf file scanned from the first issue of the Caer Abiri Newsletter, published in the wake of the first ceremony way back in 1993. Among other things, it tells how the Gorsedd came to be, and here's a little more background on how it all began.
During the summer of 1993, Tim Sebastion (below), founder of the Secular Order of Druids (SOD), was putting plans together for a multi-faith conference at Avebury. I'd met Tim two years earlier when my British Druid Order joined the Council of British Druid Orders. We resigned from the Council in 1996, along with the Order of Bards, Ovates and Druids and the Ancient Order of Druids, but that's another story. The first Council meeting I attended was at Tim's thatched cottage at Mells in Somerset. In typical Tim fashion, as well as hosting this meeting, he had organised an Irish folk festival over the same weekend, centred around the village pub. So, when my wife and I arrived and got no reply at the cottage, we had a pretty good idea where to look. Sure enough, we found Tim basking in the sunshine of the pub garden, joyfully surrounded by Irish musicians who were regaling him with a spirited rendition of the Irish Rover. It was an auspicious first meeting.
Tim and I struck up a rapport as a result of which, when organising the Avebury event, he asked me to create a ceremony for it. The brief was to make a fundamentally Druidic ceremony, but one that would feel inclusive to the many and varied folk attending the conference, including Reichian therapists, Earth Mysteries folk, Christian ministers, astronomers from the Royal Observatory and various flavours of Pagans. The resulting ceremony is included in the Newsletter.
Included in it was a handfasting, a Druid wedding, largely for the benefit of myself and my late wife, Ellie, though other couples took advantage of the occasion to be handfasted too, as hundreds more have been since. The handfastings were conducted at the Ring Stone (see the newsletter for the reasons why) by Philip Carr-Gomm, Chosen Chief of the Order of Bards, Ovates and Druids, and Shan Jayran, founder of the House of the Goddess. Ronald Hutton took the two photos included in monochrome in the newsletter and reproduced here in colour.
As you'll see from the list of names at the back of the newsletter, those attending included several who were already Pagan celebrities and others who would become so. Among the former were the aforementioned Philip Carr-Gomm, Shan Jayran, and Ronald Hutton, whose Pagan Religions of the Ancient British Isles, published two years earlier, was already recognised as a definitive work. Also with us was John Michell, author of The View Over Atlantis, the book credited with having kick-started the whole Earth Mysteries movement. Among the latter were Graham Harvey, now one of our most respected Pagan academics, Jacki Paterson, whose highly regarded book, Tree Wisdom, was published three years later, and a young OBOD member named Emma Restall Orr, who went on to become joint chief of the British Druid Order from 1995 to 2002 and is now probably the most famous female Druid in the world.
Celebrities notwithstanding, the reason we were assembling among the stones 20 years on was, as the title of this piece suggests, an accident, if indeed there are such things in Druidry.
The Gorsedd of Bards of Caer Abiri is a name I invented for use during a short bardic initiation that formed part of the original ceremony. The reason for including an initiation is simple. Two members of the British Druid Order, Gary and Debbie Turner, asked for bardic initiations while I was composing the rite and I thought that Avebury would be a beautiful and appropriate place for them to take place. As explained in the newsletter, when the moment for Gary and Debbie's initiation came and I asked those who wished to be initiated as bards of the Gorsedd of Caer Abiri to step forward, I was expecting only Gary and Debbie to do so. They were, after all, the only ones primed in advance to expect this request. Thhe spirits of the place, however, determined otherwise. Gary and Debbie hesitated and the momentary pause was enough for others in the circle to make up their minds to respond to the invitation.
And so it was that more than half those in the circle stepped forward to be initiated as bards of the Gorsedd. Philip Carr-Gomm, standing next to me at the time, leaned over and whispered, “Erm, what do we do now?” and I replied something to the effect of, “Well, er, we carry on I suppose.” Thus were the first thirty-or-so bards of Caer Abiri initiated. During the initiations, I did something ritualists really should not do. I stepped out of the circle with a camera and snapped a couple of shots. I know I shouldn't have, but something prompted me to capture the moment. I'm glad I did, as I believe the pictures I took, reproduced here, are the only photographic record of that part of the ceremony.
The initiation included one of my favourite pieces of ritual of any I've composed and performed either before or since. As shown in the photo, the inner circle of bards turn to face outwards and link hands, those in the outer circle also link hands, and all of them chant the awen, the spirit of inspiration and creativity, directing its flow in to those in the centre. Immediately after this, the following blessing is spoken for the new bards:
Wisdom of serpent be thine,
Wisdom of raven be thine,
Wisdom of the valiant eagle.
Voice of swan be thine,
Voice of honey be thine,
Voice of the son of stars.
Bounty of sea be thine,
Bounty of land be thine,
Bounty of the boundless heavens.
These are beautiful words to hear spoken in ceremony, and I can't claim credit for them. They are from a collection of Scottish folklore called Carmina Gadelica, collected and translated by Alexander Carmichael. They were spoken again during the 20th anniversary rite (below) and I took my place amongst the bards at the centre to receive the awen. It knocked my socks off.
That the initiation in 1993 had the desired effect was proven a couple of weeks later when I got a letter from Gordon Strachan, the Church of Scotland minister who had addressed the conference. It was written on a hillside in the Lake District and Gordon told me he was writing poetry again for the first time since he'd left university forty years earlier. He soon began work on his book, Jesus the Master Builder: Druid Mysteries & the Dawn of Christianty (Floris Books, 2000), in which he puts forward the theory that Jesus came into friendly contact with Druids during childhood visits to Britain.
It was clear that something very magical happened in that circle twenty years ago, something that came about because the nature of the rite as it had come together resonated powerfully with the spirits of the place and with our ancestors who had constructed Avebury for similar purposes, gathering families together from all over the country to celebrate rites of passage and have those rites witnessed by their community. It was this sense of having connected with the spirits of the place that prompted me to go around with a notebook, collecting contact details from those present with a view to putting together the newsletter.
Subsequent events only increased the sense that we had made a potent connection with the spirits of Caer Abiri. Within two years, our celebrations were being held at each of the eight festivals of modern Paganism and attracting hundreds of people. Ronald Hutton went so far as to describe them as the central event of the New Druidry (Witches, Druids and King Arthur, Hambledon & London, 2003, pages 255-256). The second anniversary Gorsedd remains the largest on record, estimates of numbers attending ranging from 500 to over 1,000. This produced another inspirited moment when those in the circle were asked to link hands and swear the Oath of Peace. The circle began to expand, not stopping until it had spread to the fence line on one side of the field containing the South Circle and to the inner ditch on the other side. I remember having to shout so that those on the far side of the circle would know when to begin.
Around this time I came up with a motto for the Gorsedd: “In the spirit of freedom, and for freedom of the spirit.”
There were many reasons why the Gorsedd proved so successful. We offered many within the Pagan community their first opportunity to celebrate our seasonal festivals in public. Another factor is the multi-faith nature of the ceremonies, strengthened further in subsequent revisions of the ritual text. Followers of any and all traditions felt able to stand together as one and speak from the heart of their own faith within a circle of many faiths. Celebrations attracted not only Druids but Wiccans, Heathens, Buddhists, Bah'ai, Christians, Native Americans, Australian Aboriginals and followers of Japanese Shinto among others. Avebury is also, of course, a place of great beauty and inherent power as well as being reasonably accessible from most parts of the UK, and, because it has a village within it, it is freely open to the public. Its appeal is not confined to the UK though. Some of those attending in the 90s flew in from places as far away as Australia, Japan and the USA specially to attend our celebrations.
It was always my hope that others would be inspired by the Avebury Gorsedd to set up others elsewhere and this has happened. Similar gatherings now take place at each of the festivals at the Long Man of Wilmington, the Stanton Drew circles south of Bristol and elsewhere, both in Britain and overseas.
Of course, there are always some who, usually through some deep, personal pain of their own, greet any outpouring of magic, joy and wonder in others with bitterness and resentment. Why this should be, I don't know, but life seems to need to maintain an equilibrium, balancing the helpful and the hurtful, following bliss with dull despair. In the case of Avebury, a few individuals seemed to feel they had some sort of territorial claim over the place. Even as the ceremonies grew bigger and more joyous for most of us, these few voiced objections to everything about them, including where, how, when and why they were held, who was conducting them and who was attending. They spread their bitterness to others whose own resentments left them open to receive it. Ceremonies began to be disrupted by drunks shouting at, and occasionally physically attacking, those taking part. Following on from the increasingly disrupted ceremonies, these same folk would get into drunken fights in the Red Lion pub in the village, often resulting in the police being called. One Lakota visitor from the Pine Ridge Reservation had flown over to be with us following a vision. He was singing a spirit song for us in the circle when the drunks began yelling abuse at him. He commented afterwards, "You get folks like that in all traditions. We get 'em at home too."
Things came to a head when, during one ceremony, I found myself expending most of my energy keeping a lid on a small group of angry, noisy drunks rather than focusing on the rite itself. As that realisation hit me, I had a vision of a black whirlpool opening up in the centre of the circle and spreading towards its edges, threatening to suck us all down into its gaping maw. This stark warning led us to move our celebrations to other locations, founding new Gorseddau as we did so. These included the Gorsedd of Bards of Cor Gawr at Stonehenge and others at Dragon Hill in Oxfordshire, the Long Man of Wilmington in Sussex, various other locations in Britain and as far afield as Seattle in the USA.
After a year, however, we returned to our spiritual home in Avebury and rites have been regularly celebrated there ever since. For the last nine years, they have been coordinated by Morgan Adams, who also runs a Grove and offers regular celebrations in her home town of Glastonbury.
The unpleasantness of the mid-1990s led to the formation of a second Gorsedd in Avebury, calling itself the 'Free and Open' Gorsedd of Bards of Caer Abiri. This now meets on the nearest Saturday to each of the eight festivals, while the original Gorsedd continues to meet on the nearest Sunday. Incidentally, it amused me to hear that on the day before our 20th anniversary celebration, the 'Free and Open' Gorsedd had met and claimed to be celebrating their 21st anniversary, despite having been founded in 1996. Hey ho...
The anger that divided the Gorsedd left me with a certain ambivalence about my role in creating it. It put Avebury on the Pagan map as a ceremonial location, but attracted in the process those whose relationship with the spirits of the place included setting fire to parts of it, scrawling graffiti over others, getting drunk, fighting amongst themselves and behaving aggressively towards those trying to meet there in peace to celebrate their spirituality. For me, the greatest sadness has always been that the loud, angry, disruptive minority drove hundreds of genuinely spiritual people to abandon the Gorsedd and even, in some cases, to turn their backs on any engagement with Druidry and Paganism. This is doubly tragic given the ecumenical spirit that flourished so strongly in the early years.
The split in the Gorsedd also drove a wedge between Tim Sebastion and I. I never knew until after his death how devastated Tim had been by the split. I learned then, too late, that he had spent whole days wandering the paths around Avebury alone and in tears.
The role of Guardian of the Stones was taken in the first Gorsedd ceremony by my wife, Ellie, then pregnant with our second son, Michael. Ellie subsequently died from leukaemia, and each time I see another woman in the role it brings back memories, some joyous, others painful.
On the plus side, the Gorsedd helped broaden public understanding and acceptance of Druidry and other Pagan traditions as the early celebrations attracted a good deal of attention from the media, both nationally and internationally. This led to a spate of favourable newspaper and magazine articles and TV programmes featuring Druids and Druidry. I've posted one short video of the Gorsedd circa 1994, filmed by a TV news crew, on youtube, accompanied by music and poetry. In its early days, the Gorsedd also helped to promote peaceful, helpful connections between the Druid and Pagan communities and bodies such as the National Trust and English Heritage, official custodians of Avebury, Stonehenge, and other ancient sites. However, this further angered those who were already angry and who viewed NT and EH with implacable hostility due to their perceived role in restricting access to Stonehenge during the 1980s.
As well as inspiring the creation of other open, public celebrations of Pagan faiths, in the twenty years since its creation, the Avebury Gorsedd itself has initiated some 3-4,000 people, maybe more, as bards. Many have found huge inspiration as a result. To quote just a few examples, a leather-clad biker who came to an early Gorsedd rite returned a few months later having learned to play the harp beautifully; an office worker who attended quit his job and now runs the Witchcraft Museum in Boscastle; a couple who came to several early rites now run a 12-acre spiritual and woodland crafts centre in Hampshire. Others have had their lives changed in other ways. Following one rite I heard from three people whose partners had recently died, each saying that as a direct result of our ceremony, the atmosphere surrounding them had cleared, their sorrow had lifted, and they now felt able to move on in their lives. When people's lives are transformed in such ways, it's hard to argue that the ceremonies that bring about such changes are anything but good.
The Gorseddau founded in the 1990s, both in Avebury and elsewhere, have long since passed out of my hands as I always hoped they would. Others have taken up the challenge and are making them work, and all good blessings to each and every one of them for doing so. If the 20th anniversary gathering at Avebury was anything to go by, they are in good hands for the next twenty years.
Incidentally, three of those who were at the very first Gorsedd were in attendance again for the anniversary: these were Ronald Hutton, a humble Doctor at the time of the first rite, now a full Professor and one of the country's leading historians, myself, and my son, Joe, who was one year old in 1993 and whose baby blessing during the first ceremony paved the way for hundreds of others over the last twenty years.
The 20th anniversary celebration was a joyous, magical event, featuring one of the most potent bardic initiations I've ever taken part in, a beautiful moment when we chanted the awen to direct spiritual energy into a beribboned wreath to be used in ceremonies for the protection of our land and her creatures (below), and one of the best eisteddfod sessions ever, during which we were treated to some wonderful poetry, fiery drumming and utterly superb bagpiping.
As my own contribution, I sang the same Robin Williamson song I had sung at the end of the very first rite back in 1993, the appropriately titled The Circle Is Unbroken:
Seasons they change, as cold blood is raining,
I have been waiting beyond the years.
Now over the skline I see you travelling,
Brothers from all times gathering here.
Come let us build the ship of the future
In an ancient pattern that journeys far.
Come let us set sail for the always islands,
through seas of leaving to the summer stars.
Seasons they change, but with gaze unchanging.
O, deep-eyed sisters, is it you I see?
Seeds of beauty you bear within you
Of unborn children, glad and free.
Within your fingers the fates are spinning
The sacred binding of the yellow grain.
Scattered we were when the long night was breaking,
But in bright morning, converse again.
So may it ever be.
And here's a date for your diary: the 30th anniversary will be on Sunday, September 24th, 2023. See you there...
My first visit to Avebury was in the very hot summer of 1976, when I arrived by bicycle. I recall sitting with the Ring Stone that stands between the Southern Entrance and the South Inner Circle. It's called the Ring Stone because it was once a lot taller and had a hole right through it. When I leaned my head into the part of the stone that is now missing - as shown in our picture, only a short stump is left - it produced a distinct sensation of weight and solidity, as though the upper part of the stone were still there in spirit. Because a similar ringed stone in Scotland was used to conduct handfastings (Druid weddings) with the couple linking hands through the hole, we adopted Avebury's Ring Stone for the same purpose, inviting each couple to link hands at the point where they felt the hole had been. Hundreds of couples have since been joined there in love. My second spiritual experience of Avebury (I think during that same visit) was a vision of a middle-aged man's body lying on the ground next to one of the stones of the South Inner Circle. He was partly covered by an animal hide (bull I think it was). By his side knelt a grey-haired woman of a similar age who was singing a lament and wafting the man's spirit from his chest towards the sarsen that towered above them. Others stood by, some joining the keening lament. All were dressed in a combination of woven fabrics and animal hides. This convinced me that the stones of Avebury and, by extension, of other megalithic sites, are, among other things, shrines containing the spirits of our ancestors. Many years later, the archaeologist, Mike Parker-Pearson, reached the same conclusion at Stonehenge based on input from a Madagascan 'medicine man' he brought to visit the henge.In September 1993 (see picture above), I was responsible for founding the Gorsedd of Bards of Caer Abiri amongst the great sarsen circles of the Avebury henge. This resulted from an invitation to create a ceremony for a multi-faith gathering organised by the late Tim Sebastion, founder of the Secular Order of Druids. A couple of years later, the Gorsedd had become what Ronald Hutton described as "the central event of the New Druidry."
I live only about 12 miles from Avebury and it remains a very special place for me. Therefore it was a 'no-brainer' that we should take the World Drum there for the first ceremony of this year's UK trip, especially since we had brought the Drum there during its last visit to us in 2008. When you put out a call for folk to come to a public ceremony, you never have any idea who, if anyone, will turn up. It is put into the hands of the gods, the spirits and, in this case of course, the spirit of the Drum. To say we had a good result is a whopping understatement. Our circle consisted of about 60-70 people, all of whom were thoroughly tuned in to what we were there for and put beautiful energy into our rite for Mother Earth and for world peace. I also like the fact that we artrived with only the outline of a few ideas, talked them through a few minutes before we started and made a ceremony that seemed to flow naturally and easily. One part of the rite, repeated at each subsequent ceremony, was the Speech for Mother Earth composed by World Drum Project founder, Morten Wolf Stereide for the first World Drum ceremony which took place at the Norwegian Parliament building in 2006. Part of this says: "Mother Earth is crying. Soon she will have no tears left and then it will be too late. The time has come to unite and stand together. Please, I ask you, take each other's hands, lift them high and make a prayer while the World Drum sings her song and we feel her heartbeat. It is the heartbeat of Mother Earth. It is our heartbeat, from each and every one all over the world. It is the heartbeat of life itself. Let us join together as one that this heartbeat may continue." I love it when the natural world responds to what we are doing in sacred ceremony. In this case, we were making our ceremony during one of the coldest Springtimes on record and yet, as was to happen elsewhere, when we began to play the World Drum and our other drums along with it, the sun burst through the clouds and blessed us as shown in this picture by Elaine Wildways. For this, as for so much else, we give thanks to the spirits of the place, the people, our ancestors, the gods and the Drum!
The gentle, peaceful, honouring, loving energy of the day reminded me so much of the early days of the Avebury Gorsedd in the 1990s. It was a joy to be there once again, singing the awen, the flowing spirit of inspiration and creativity, and swearing the Oath of Peace, "We swear by peace and love to stand, heart to heart and hand in hand. Mark, O spirits, and hear us now, confirming this, our sacred vow."
Thanks and blessings to all who came, both seen and unseen. What a wonderful event to begin this journey with the World Drum. I have always had an image of Avebury as a great mother, welcoming those who come in peace and reverence with open arms of glistening sarsen stone and green earth banks. The image here shows a woman in the dress of the megalithic era seated in the 'throne' in the outer face of one of the two huge sarsen stones that flank the Southern Entrance to the henge. An unusually short woman in her 30s was buried near the entrance in a circle of small sarsens, curled in a foetal position with her face towards the West Kennet Avenue of stones that reaches the henge bank at this point. In her honour, the Gorsedd has always selected someone, usually a woman, to embody her at the beginning of our ceremonies. We presented the World Drum to the 'throne' before entering to begin our ceremony. What a perfect place to begin this journey with the Drum that calls to us with the heartbeat of our Mother Earth, calling us to honour and respect her and all her children. May we be true to her call!