Skip to content

1

When we finished putting together our bardic course in the middle of 2011, we'd put so much into it that I seriously wondered if we'd have enough material left to create either an ovate or a Druid course. I needn't have worried. Our ovate course is almost twice the length of the bardic, running to about 400,000 words, with most of the 24 booklets being 52 pages long, the most I've found it possible to get a staple through.

Ovate booklet 17: The Way of the GodsIt's now shortly after the Spring Equinox, 2013, and the ovate course is nearing completion. The first 16 booklets are complete, the next 4 just in need of minor editing and 2 out of the last 4 almost complete. That leaves something like 30,000 words or 100 pages to go, about half of which needs to be written, while the rest just needs formatting and editing. I hope to have the whole course completed at the end of May.

As to the content, I couldn't be more happy with it. We have wonderful contributions from Elen Hawke, author of In the Circle: Crafting the Witches' Path (2001), Praise to the Moon: Myth & Magic of the Lunar Cycle (2002), The Sacred Round: A Witches' Guide to Magical Practice (2002) and others. For our course, Elen has written on the lunar cycle and on astrology. We also have a unique compendium of traditional astrological lore from Seattle-based Pagan priest, Leon Reed. Leon, a magical and medical herbalist for more than 30 years, Ovate booklet 2: The Path of the Seerhas also given us the herbal he compiled for use in his practice. Elaine Wildways has written a cycle of seasonal festival rites for us, and also a cycle of rites of passage. We include a funeral rite composed by myself and Emma Restall Orr. Nina Milton and her OBOD group helped us put together a series of tree-based exercises in movement and meditation. Blue Fox has provided several pieces, including a wonderfully-accessible Ogham oracle with a card set designed by your humble author. We also have more words and art from Robin Williamson, as we did in our bardic course. It's been a real pleasure to edit such a wide range of well-researched, well-written pieces and I thank all our contributors.

I'm even pleased with my own contributions and usually I am extremely critical of my own work. Part of the process of writing these courses has been to go back to basics. I've stripped down every belief I've developed since early childhood and re-examined each one in detail to see if it still makes sense and if it can be fitted into context with others. This process has been both educational and cathartic. I've also re-explored the medieval literature of Britain and Ireland. While I'd been familiar with it for years, looking at it afresh for the purposes of the course led me to understand sections of it in entirely new ways. One result of this has been the re-construction of a remarkable healing technique and a set of spiritual exercises and meditations, both based on Irish manuscript sources, though there is evidence that both were also known in Britain and have parallels in cultures much further afield.

Thomas the Rhymer and the Queen of ElfhameI'm also pleased with the range of illustrations in the booklets, many created specially for the courses, others sourced from all over the place. One of the great advantages of delivering our courses as pdf files is that we do not have the cost of reproducing so many colour illustrations in print and can therefore include lots of them. Sourcing illustrations for writings on Druidry is by no means easy, particularly if you don't want to just keep using the same ones that everyone else uses. We've out almost as much work into sourcing interesting and information pictures as we have into writing the text that goes with them.

The range of subjects covered in the course is very wide, from the creation of the universe and the myths of creation, through birth to death via health and healing, nature spirits, philosophy, astrology, divination, seership, herbalism, group ritual and more, including the ways of the gods.

With this course, following on from the bardic course, I think we've achieved a turning point in the history of modern Druidry, raising it to a new level of vibrancy and understanding. And I no longer worry about having anything left to put in the Druid course. I'm pretty sure we'll be OK.