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Review: Pagan Britain, by Ronald Hutton

hutton-pagan-britain-yalePublished by Yale University Press, November 2013, xvi + 480 pages, 103 illustrations.

In 1991, a few months before I first met him, my friend Ronald Hutton published Pagan Religions of the Ancient British Isles, at the time a unique, one-volume survey of its subject that quickly, and rightly, attained classic status, being quoted in almost every subsequent work on British prehistory. This new book is designed to supersede it, reassessing its contents and conclusions, expanding on it and adding a huge amount of new information that has come to light over the last two decades. Here's my review:

First impressions are of an attractive, well-produced book, containing many more illustrations than its predecessor, though still in monochrome. The illustrations are well-chosen, including many of the usual suspects – the 'Sorcerer of Trois Frères,' the 'Venus of Willendorf,' and so on – but going well beyond them. For example, a group headed 'Less familiar Palaeolithic images' includes human figurines that were found alongside the much better known 'Venuses' on which whole theories of prehistoric belief have been built. These images and their accompanying text provide one example of a process Ronald follows throughout the book, returning to original excavation reports and re-examining, often at first-hand, the objects described so as to place them in their proper context. He has visited or re-visited many sites where objects were found, often in company with archaeological specialists. This meticulous research is filtered through the Ronald's broad areas of personal interest, including ancient and modern paganisms and shamanism. These interests, however, are never allowed to overwhelm the evidence.

As well as exploring prehistoric sites and the artefacts found at them, the book examines Ronald-Huttonways in which attitudes to the past alter in tandem with more recent changes, so the Victorian era of conquest, colonisation and conversion by the British produced the idea that Britain itself was repeatedly conquered, colonised and converted throughout prehistory. The 20th century dismantling of the British Empire and our joining of the European Economic Union then produced a new vision of prehistory that replaced conquest with trade as the primary means by which the British Isles interacted with the rest of Europe. Pagan Britain offers many such insights into both our remote and more immediate ancestors.

One of my own areas of interest is in what archaeologists call burnt mounds, piles of stones that have been subjected to very high temperatures before being either doused with water or immersed in it. Many theories have been put forward to explain them, including Native American style sweat lodges, Swedish style saunas, cooking sites for joints of meat or breweries for prehistoric beer. Thanks to this book, I now know that a major survey of such sites in Ireland, published in 2011, has shown all four explanations are sustainable for some of the sites. For a modern Druid such as myself who has experienced the power of ritualised sweat lodges and is also partial to the occasional pint of ale, this is welcome news indeed!

One section of the book looks at interactions between professional archaeologists and interested non-professionals, including what might loosely be called the 'Earth Mysteries' community. These are often hostile and have been for a very long time. The story of how archaeology stopped being a hobby and became a profession, and how those who adopted it as such subsequently came to exercise such unquestioned access to, and control over, our shared heritage would make a fascinating sociological study in the development of elite dominance. Another admirable feature of Pagan Britain is the extent to which it continually reveals topics such as this and shows them to be worthy of extended treatment. Hopefully a generation of researchers will be inspired to follow up on them. If so, they, like the rest of us, will owe a debt of gratitude to Ronald for the diligence of his research, the breadth of his vision and his ability to bring so much information and so many ideas together.

william-bucklandRonald writes both for academic colleagues and general readers, achieving this rare double by the simple means of using clear, precise, jargon-free English. If more of his colleagues adopted this habit, they would render their work accessible to a much broader readership. Another aspect of his writing that appeals greatly is his inclusion of illuminating, entertaining, often bizarre incidental details such as the fact that the early 19th century scholar, William Buckland, was often accompanied at academic functions by his pet bear, which he dressed in a student's cap and gown. Such quirky and engaging human touches certainly help bring history to life. The picture here captures Buckland at dinner with friends, human and other.

As with Ronald's previous works on Paganisms, this book will no doubt divide the modern Pagan community, perhaps most strongly in its final chapter, 'The Legacy of British Paganism.' It is here, looking at changing academic and public attitudes towards possible survivals of paganism from ancient times, through the Middle Ages and up to the present day, that the author most maintains his reputation as an iconoclast. Those who dismiss this section as simple iconoclasm, however, can only do so by ignoring qualifying statements as in the following passage: “The former tendency to assume that virtually all traditional British seasonal rites were survivors of paganism was clearly misplaced, but blanket dismissal of pagan ingredients in them would be even more erroneous. Broad themes of seasonal festivity often have more staying power than individual customs, though even some of those can be proved to have survived for millennia.” [My italics].

A word of warning: if you are looking for the sort of certainty found in other books, such as the many claiming to have 'solved the mystery of Stonehenge' once and for all, you should definitely look elsewhere. Ronald is careful not to argue beyond what demonstrable facts allow. Where, as is often the case, the evidence is open to a variety of interpretations, he is equally careful to present a range of alternatives, where possible evaluating which are the most likely, but willing to admit when none are proven or where such proof may not even be possible. Some may find the frequency with which a 'not proven' verdict is returned frustrating, but, as the author makes clear, there are times when our current state of knowledge simply leaves no definitive conclusion possible.

Is Pagan Britain, then, a worthy successor to Pagan Religions...? My answer is a resounding yes. Pagan_Religions_of_the_Ancient_British_IslesLike its illustrious predecessor, it offers a one-stop shop for all who, like me, have an abiding interest in prehistoric British religion, a desire to keep up with the latest information on the subject, but little access to academic journals, field reports or specialist publications. Ronald draws together the whole gamut of recent research along with the speculations and conclusions stemming from it, bringing it all together for us. And for those who want to look further into areas of particular interest, there are extensive endnotes.

As mentioned earlier, what makes Pagan Britain so compelling is Ronald's unusual breadth of personal interests and depth of knowledge in them, spanning paganisms old and new, shamanism, anthropology and archaeology, as well as British, European and world history. This is enhanced by his almost unrivalled list of contacts with colleagues across this wide range of disciplines, his enthusiasm and seemingly boundless energy for detailed and thorough research, and his remarkable ability to marshal and make sense of a huge quantity and range of information and present it clearly. In short, the book is a tour de force and, like Pagan Religions..., is essential reading for anyone with an interest in its subject.

Born in India Blood&Mistletoein 1953, Ronald Hutton is Professor of History at the University of Bristol, where he also heads the School of Humanities. He is a Fellow of the British Academy and the Society of Antiquaries, a Commissioner for English Heritage and a member of, among others, the Order of Bards, Ovates and Druids, the Ancient Druid Order and, of course, the British Druid Order. His other publications include The Druids (Hambledon Continuum, 2007) and Blood & Mistletoe: The History of the Druids in Britain (Yale University Press, 2009), both of which are also highly recommended.

 If you're encouraged to buy the book, you can find it here on amazon.co.uk, or here on amazon.com

If you're not yet convinced, you could check out this review from the Economist by Erica Wagner, who describes Ronald as "a lovely writer with a keen sense of the spiritual potency of Britain’s ancient landscapes."

Or, for a less sympathetic review, try this one from the Guardian by Graham Robb, who takes Ronald to task for only devoting six pages to the Druids, despite Ronald making it clear in the book that the reason he is not giving more space to them is that he's recently written the two full books on them referred to above. He also complains about Ronald not including evidence for paganism in France, despite the book being called Pagan Britain and Ronald's stated intention in it to maintain a focus within the confines of the British Isles. Robb may have a vested interest, however, in that his most recent publication is a book claiming to have rediscovered a lost 'map' of Pagan Celtic Europe.

Published on Categories 'Shamanism', Druidry, Druids, History, Reviews, Ritual, Sacred Sites
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About Greywolf

I'm Greywolf (aka Philip Shallcrass). My main claim to fame (such as it is) is that I'm chief of the British Druid Order (BDO). I discovered Druidry in 1974, seeing it as a native British 'shamanic' spirituality. An Alexandrian Wiccan coven I joined in 1978 transformed into the Grove of the Badger as Druidry increasingly replaced Wicca in its rites. The end result was the BDO. Emma Restall Orr was joint chief of the Order with me from 1995 to 2002. I live in rural Wiltshire, not far from my spiritual heartland, the area in and around the Avebury henge. I'm a writer, musician, artist, drum-maker, roundhouse-builder and thatcher. I have three sons who share my obsession with music, books and film. Personal obsessions include the work of Britain's greatest bard, Robin Williamson, the comic books of Jack 'King' Kirby (1907-1994) and the speed-freak rock'n'roll of The Screaming Blue Messiahs.

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