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1-DSC_0053Many Druids and Pagans are vegetarian and vegan, a far greater proportion than in mainstream society. This is commonly on ethical grounds, with many rejecting the exploitation of animals by humans, whatever form that may take, whether for food, clothing manufacture, drug testing, or any other reason. There are also telling arguments that a vegetarian diet is much better for the planet than meat-eating. Despite which, even within Druidry, vegetarians and vegans are a minority, with most Druids eating meat, often locally and ethically sourced, though often not due to cost factors. Even meat-eating Druids, though, will usually have concerns about animal welfare and will happily contribute to, or act in concert with, conservation groups.

The last thirty years have seen an increasing acceptance of the concept of the Druid as animist, that is, one who sees all things as imbued with spirit, including not just humans and other animals, but plants and even apparently inanimate creatures such as rocks, clouds or stars. Seeing our human selves as part of an interlacing network of living, inspirited, intelligent beings that inhabit realms above, around and below us enhances our sense of the value of all these other lives. We see ourselves not as occupying a privileged position above, or somehow separate from, the rest of the natural world, but as a part of it. For me, this is a core aspect of being a Druid. This perspective of equality inevitably calls into question the over-exploitation of natural resources and the resulting degradation of our environment and our spirits.

Gundestrup CernunnosThe same time frame has seen an increased acceptance of the related idea of the Druid as shaman, in part meaning one who works directly with spirits, including those of animals. Many Druids who work with animal spirits have craft names that reflect this, including Bobcat (Emma Restall Orr) and Greywolf (myself). Bobcat was given her name by one of her teachers. Mine derives from a vision of a Wolf that came to me in a sweat lodge, transforming my spiritual life. I was subsequently shown that I could switch bodies with my Wolf spirit brother, experiencing for myself what it is like to be a Wolf.

Immediately after my vision, Walter, who acted as fire-keeper for the lodge, suggested I should find something physical to link me with the Wolf. This seemed incredibly unlikely. I was around 40 at the time and had never seen hide nor hair of a Wolf. However, the day after I got back from the sweat lodge, a friend invited me to a garage sale at his parents’ house. The first thing I saw on arrival was a large pelt draped over an old water tank. A closer look confirmed my first impression, that the fur was Wolf. The pelt consisted of six Wolf hides, trimmed to rectangles and stitched together as a rug. It had been in the house when my friend’s parents bought it in 1947. They hadn’t liked it, bagged it up and put it in the loft. There it stayed until the day of my vision, when my friend found it and added it the garage sale.

GWHEDGEI told them about my vision and they gave me the hides. I removed the woollen backing, added a couple of ties and started wearing the hides as a cloak in ceremony. As a connection with Wolf spirit this exceeded my wildest expectations. The six animals who died to make that Wolf-skin rug came to me during the next Pagan event I was invited to, a venison feast hosted by Ronald Hutton. They became a pack under my Wolf alter-ego’s alpha male. I recognised my responsibility to them by ‘feeding’ them with regular ingestions of meat, despite myself having previously been a vegetarian. I wore them regularly in ceremonies. I also wore them to give talks, including some to animal welfare groups. Once I had explained the circumstances by which I acquired ‘my’ Wolves and the ways we worked together, there was never any question of our relationship being ‘wrong.’

GWWolfDrumA few years later, at a medieval re-enactment, I found a stall selling Wolf pelts, complete with faces, limbs and paws. I asked the stall-holder where they came from. He said they were Siberian and derived from a cull of animals that were elderly or sick. You can tell if a canine is sick from the state of its coat, just as you can estimate its age by the size of the pelt. The stall-holder was clearly lying or, being generous, was grossly ill-informed. This left me with a quandary: did I leave the pelts to be bought by people who might not honour the spirits of the animals who had worn them in life, or did I buy one myself, albeit at the cost of giving a substantial amount of money to a man who had, I was fairly sure, lied to me, thereby supporting a trade that involved killing healthy young wolves? I spent much of the day arguing the ethics of these options with myself and others. Eventually, honouring the animal’s spirit won out and I handed over the money, albeit with a prayer that the trade in Wolf skins would soon come to an end. International trade in Wolf pelts was restricted under a CITES agreement not long after, and I’ve never since seen a complete Wolf pelt, or even a tail, offered for sale in the UK. This is, of course, a good thing.

GWRHfirex1024In 2012, at a time of family crisis, another Wolf cloak came to me, similar to the one I was given previously, only in even better condition and with longer, redder fur. I found it in an antique shop in Rye, Sussex, less than five miles from the friend’s house where I’d encountered the first one. Like that first one, it also consisted of six pelts, trimmed down and sewn together. It was of a similar vintage too, the London-based company who made it into a rug having ceased trading in the 1940s. The first cloak having become a little worn and frayed from years of use, the second arrived at precisely the right time in my life, helping to renew my relationship with Wolf spirit. It has since become my primary ceremonial cloak.

My strong feeling is that the Wolves whose hides I wear brought them to me so that I could work with them, wear them and honour them. Too many ‘coincidences’ have piled up surrounding the two Wolf-skin cloaks for that not to be the case. Plus I have the evidence of my own senses. I have seen the Wolves themselves frolicking on my bed where I keep the hides. They have also joined my Wolf alter-ego in spirit journeying. Others, of course, may think me mad or deluded. I can only report what I have seen, heard and felt.

WOLF3To work successfully with animal spirits, you have to a) believe in their existence, and b) honour them. I believe that animal spirits come to us to lend us spiritual power as well as to teach and guide us, and that failing to properly honour them can lead to a loss of purpose, health and sanity. This is not something we can afford to be casual about, take for granted, or play with for effect.

In the 22 years I’ve been wearing Wolf-skins in ceremony, I’ve been criticised for doing so only by people who didn’t know how the hides were acquired and didn’t bother to ask. It would be interesting to know how many of them would have voiced similar criticisms had I been a Siberian shaman or a First Nations medicine man instead of a British Druid. I wear them not as a fashion choice or a pose, or for warmth, but as a deep, inherent and vital part of my spiritual journey, in which I am honoured to be accompanied by fellow Wolves who choose to walk the path with me.

Golden Eagle2After Wolf, the spirit animal I’ve worked with most is Eagle, and I’m blessed to have been given three beautiful Eagle feathers, gifts from a shamanic practitioner, a Druid and a shamanic Druid. The feathers were all found in the wild by the individuals who gave them to me after having been shed by their winged owners. One came from Siberia, one from an island off the Norwegian coast, the other from Australia.

In my work, I sometimes use a Cormorant wing for fanning smoke, summoning spirits of Air, or linking me with the spirit of Morfran, son of Ceridwen. In the middle of winter, many years ago, I was walking my children through a park to their primary school when I saw a dead Cormorant floating in a hole in the ice on a lake. It being a Friday, I decided that if the Cormorant was still there on Monday, that would be a sign that I should take it and work with it. Not only had it not been removed from the lake by Monday, the hole in the ice had expanded and the Cormorant had floated to the shore so that I could reach it without even having to step onto the ice.

cormorantI took it home, removed a wing and the tail, and buried the rest in my back garden with prayers for the spirit of the animal. Returning alone to the lake, I allowed my spirit to slip back a few days in time and to inhabit the body of the Cormorant, then still living. I dived with it, seeking fish below the water on which to feed. On the third dive, a fish darted off beneath the surface ice and the Cormorant followed, couldn’t get back to open water in time, and drowned. I experienced this directly, having projected my spirit into the Cormorant. I made further prayers for the Cormorant and its family, members of which stayed at the lakeside for several weeks after the drowning. I still have both wing and tail and still use them in ceremony.

Other people I know in the Druid and shamanic communities use animals who have died a natural death or as roadkill wherever possible. In my case, few Wolves are killed on the roads, our ancestors having eradicated them from Britain centuries ago through ignorance and fear.

GWthreadingDrumx800I make drums. To do so, I fell trees for the timber hoops and use Red Deer hides for the skins. I seek permission from the spirits of the trees. The deer hides are from Bradgate Park, Britain’s oldest continuously managed deer park, enclosed since the 13th century. As an enclosed park, space is limited, limiting the number of deer that can successfully graze it and remain healthy. Since all natural predators on deer, apart from humans, have been eradicated, the number of deer born in the park always outstrips the number who die from natural causes. Therefore, to maintain the health of the herd, some animals are killed every year. Their meat is sold, raising money for the upkeep of the park and the deer. Prior to my arrival, the hides were thrown away. Now, I get them, fur on, and make them into drums and rattles. During the process, I sense from the hides that the spirits of the deer are willing to work with me, and to work with the person the drum then goes to. If it were otherwise, I wouldn’t do it.

1-DSC_0018-001My belief is that the spirits of the deer continue to live in this world through the drums I make, especially when they are played in ceremony. As part of the process of bringing the drum into use, I recommend that their owners travel in spirit to meet the spirits of the tree that died to make the hoop and the deer that died to make the skin, to witness their whole life cycle, through to the moment of death, to ask them to inhabit the drum, empower it and continue to live through it. Tree and deer thus maintain their place as part of the wider community of spirits that includes us as humans and all of nature.

wolf5My criteria is, as I believe it was for our earliest hunter-gatherer ancestors, the absolute conviction that the plants and animals themselves are willing to work with us through giving us their parts after death. Here, in our largely secular, post-industrial society, we encounter a problem. Most people, even in Druid and Pagan circles, do not communicate either with the dead or with animals or plants, and many do not believe those of us who say that we do. There’s nothing I can do about that. I can only speak for myself and from my own experience, and pass on what the animals and plants tell me. Those who work with me through feathers, wings, fur, skin, teeth and claws, do so willingly. If they didn’t, rather than gain power through forging a bond of kinship with them, they would ensure that I lost power and suffered, mentally, spiritually and physically. In working with spirit animals, unethical behaviour will ultimately receive its just reward. By the same token, ethical behaviour brings great rewards in, among other things, expanded understanding, altered perspectives, spiritual enrichment, enhanced health and greater ability to help others.

wolves-pack2The understanding I have gained from working with Wolves, and more especially from the experience of being a Wolf, has greatly increased my concern for the welfare of my Wolf kin in the wild. It has also increased my belief that wild Wolves should be reintroduced into the UK, beginning in Scotland. Reindeer were successfully reintroduced there some years ago and have since thrived. In the absence of predators, their numbers have increased so rapidly that there is now an annual cull, with large numbers being shot. There is a similar over-abundance of Red Deer. The reintroduction of Wolves would eliminate the need for a cull while ensuring that it is mainly weak, ill and elderly animals who were killed, thus improving the overall health of the herds.

I conclusion, while I fully support many of the arguments in favour of vegetarianism and veganism, oppose the cruel methods used to farm animals for food, and appreciate the validity of the ecological and ethical cases against farming animals for food, I will continue to work with animal spirits and with animal parts in the ways that I do. Doing so is crucial to the spiritual path I have been guided into. I am a Wolf. Although Wolves do eat berries and roots, the main part of their diet is meat. The spirit Wolves who work with me like to be fed. Shamanic friends have told me repeatedly that I must feed my Wolves. I know they are right. In order to sustain my relationship with them, I must feed them, and the food they crave most is meat.

While some vegetarians and vegans are quick to condemn fellow humans for eating meat, few would condemn Wolves for doing the same. There is an implicit suggestion here that humans are morally and ethically superior to Wolves. As an animist, I find it difficult to support such a proposition. One look at any news broadcast will show just how immoral and unethical many humans can be compared to many animals. We make war against others of our own species, often for the most trivial of reasons. We subject billions of our species to abject poverty, starvation and disease while allowing a tiny minority to accumulate immense wealth. We blithely cause the extinction of numerous other species. We are also, of course, the only animal whose actions are capable of bringing an end to all life on our planet.

Having come to that space between the worlds where the Wolves and I eat meat, we are also at a place where we converse regularly with other animal spirits. If they are willing to work with us, we work with them. This is my way. It is not everyone’s way, and I’m not suggesting it should be or could be. Bobcat chose a different path and adopted a vegan diet, albeit as much for reasons of health as for ethical concerns. Nevertheless, she often wore a Bobcat tail on her belt and was not averse to working with other animal parts and, through them, with the spirits of the animals from which they came. We each have our path to follow. Along the way, we must each come to ethical decisions we can live with and live by. I respect and honour those who choose paths other than mine.

Blessings to all,

Greywolf /|\

(C) Greywolf and the BDO, 2016

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CultHeroes1981x600I've been writing songs since the mid-70s and fronted a number of bands in the late 70s and early 80s, including The Legendary Mutants (right, with me on vocals and rhythm guitar and MDB on lead guitar), Cult Heroes, Passing Strangers and The Levellers (no, not the Brighton-based folk-punk band, we were based in Hastings and used the name a few years before they did). In the 90s, I switched to writing for just myself and acoustic guitar and have performed solo ever since. My main instument is a semi-acoustic guitar, though I also play a variety of flutes and whistles, various percussion instruments, harp, shruti box and occasional oddities like sitar, bowed psaltery or dulcimer.
Sign of the Rose coverMy first CD, 'The Sign of the Rose,' was recorded in 1999 and released in 2000, after which life intervened and required me to bring up two sons on my own. Then I started work on the British Druid Order courses, built a roundhouse, learned to thatch, started making drums, etc., etc., so the second album has been delayed rather longer than anticipated. Meanwhile, 'The Sign of the Rose' is available as a CD or digital download from the BDO webshop.
I perform occasional gigs, and here are some videos from my set at the WildWays Mini-Folk Festival, June 6th, 2015.
First up is 'Song at Wodnesbeorg,' track 2 on 'The Sign of the Rose.' It recalls my first encounter with the Anglo-Saxon god, Woden, on a prehistoric long barrow in Wiltshire during a Hallowe'en pilgrimage from Avebury to Stonehenge. I've since taken a guitar to the very spot and sung the song, offering it to the spirits of place in return for the inspiration that led to its creation.

Next comes 'Lady of the Greenwood,' track 4 on 'The Sign of the Rose.' This was inspired by a workshop in which we were encouraged to become a variety of animals, including serpents, which worked particularly well for me. I'd recently started working with Bobcat (Emma Restall Orr) and we took our serpentine inspiration away into the woods to weave some ritual. After a while we heard an eerie, unearthly music drifting through the trees. It drew nearer and turned out to be emanating from Andy Letcher (now lead singer and songwriter with 'darkly crafted folk' band, Telling the Bees), playing two penny-whistles bound together with tape. When we asked how he'd found us, he replied, "I just followed the snake." Yes, a snake had emerged from the roots of an oak tree and led him to us.

The third song from the WildWays set is the title track from 'The Sign of the Rose.' This relatively simple love song was inspired by a night spent at an inn halfway up a mountain somewhere in the West of England. I don't remember where, but I do remember they had Pulp's 'Common People' on the jukebox. This is one of the songs that sometimes gets me likened to Leonard Cohen.

Lastly there's the song I usually close my set with, 'Lord of the Wildwood.' It's always popular live as it gives folk plenty of opportunity to chant, howl and generally go nuts. This will be the title track of that difficult second album when I finally get around to recording it. I didn't realise until after I'd written it that the four animals featured in it can be read as guardian spirits of the four cardinal directions, Stag for West, Bull for North, Eagle for East and my beloved Wolves for South. Having reailsed it, I've occasionally used the song to call the quarters when opening a circle. I've also heard people use the spoken lyrics for the same purpose.

I am, by the way, available for gigs. The easiest and most reliable way to contact me is via a PM on my facebook page. I also have a Greywolf: Music page on facebook where I put video links and gig news. Thanks to Google mucking about, I've also got two youtube channels, one as Philip Shallcrass, the other as TheOldGreyWolfTest.
Blessings to all,
Greywolf /|\

I think I could turn and live with animals,
they are so placid and self-contain'd,
I stand and look at them long and long.
They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the whole earth.
So they show their relations to me and I accept them,
They bring me tokens of myself, they evince them plainly in their possession.
Walt Whitman (1819-1892), from 'Song of Myself.'
heron2
You may have noticed that I have a bit of a thing about animals. As a child, I had an instinctive understanding that they were a special breed of people. I suspect this is an extremely common human experience. After all, traditional stories told to children around the world are full of talking animals, animal helpers, teachers and guides, and animal transformations.
One of my earliest connections with a non-human species was with herons. As a misfit amongst family and contemporaries, I was naturally drawn to these solitary birds. I saw them standing perfectly still at the edge of the ditches that criss-crossed Romney Marsh, on the borders of which I lived. They would hold this pose for hours at a time, just occasionally shifting from one leg to the other, waiting for fish or, more likely on the Marsh, eels, to swim past and provide them with food. There was a calm simplicity, an unpretentious dignity, about them. Their muted colours, pale grey with flashes of white and black, added to the sense they exuded of being “so placid and self-contain'd.” My first recollection of anything resembling meditation, before I even knew Golden Eagle2there was such a thing, consisted of trying to put myself into a similar state of calm, to render myself unruffled and untroubled like the heron. I did indeed “stand and look at them long and long.”
In my book, Druidry: A Practical and Inspirational Guide (Piatkus, 2000), I wrote of an experience at a Druid camp of swapping consciousnesses with an eagle and soaring high above the world on powerful wings. I've also written of the sweat lodge in which I first encountered the spirit wolf who was to become such a central part of my life and from whom I draw the craft name, Greywolf. He and I have also traded spirits so that I perceive the world through his eyes and he through mine. In other circumstances, when called for, I have become a serpent or a dolphin.
These experiences of becoming other-than-human are well described in Whitman's poem, famously quoted by Lord Summerisle as played by Christopher Lee in the film, The Wicker Man.

I share Whitman's sense of animals having a different, much clearer, less encumbered engagement with life than we humans with our tangled webs of guilts and fears. They perceive clearly what needs to be done and go about doing it in the most efficient way possible. We, on the other hand, often fail to act, held back by worry about possible consequences. While in many cases this is clearly a good thing, we often take it to extremes where we are paralysed from taking any action at all, even when circumstances demand it. The results of inaction then often add to our worry and frustration, erode away our sense of self-worth, and can lead to severe psychological imbalance.
wolf5Becoming animal breaks us free of this destructive cycle by allowing us a clearer perspective, enabling us to see what is really important and to discard the rest. This has been proven to me time and again. Things that have angered and frustrated me as a human and which I have felt unable or unwilling to address have often melted into insignificance when I have become wolf or eagle. Either that or, in animal form, the right and only course of action to pursue has become crystal clear and my animal self has had the strength and courage to follow it through.
In shape-shifting, the physical perspective alters, so that as an eagle you see fields and houses way below and have a clear, unbroken view to the far horizon, while as a wolf, your visual perspective is much nearer the ground while your sense of smell and hearing are hugely enhanced. However, it is not just the physical perspective that shifts. Inhabiting the body of an animal, seeing through its eyes, experiencing the world through its other senses, also changes how we feel about the world and our place in it. As Whitman says, animals “do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins.” For us as humans, this psychological shift is profound, freeing us from doubt, fear and allWOLF3 the other stifling emotions that prevent us from achieving clarity and acting decisively on it. The importance of this gift cannot be over-stressed.
In my experience, we all have spirit animals who protect and guide us. At least, I've only ever encountered one person who didn't. He was a long-term drug addict whose physical and mental state had deteriorated to such an extent that no spirit animal had felt able to remain with him.
It is my belief that we do not choose which spirit animals we have, but that they choose us, drawn to us by who we are, how we think and what we do. When these things change, one set of spirit animals may leave us and another take their place. With me the major transition was from solitary heron as a child to pack animal wolf as an adult.
How we discover our spirit animal guardians, guides and helpers varies from person to person and place to place. They may be encountered in vivid dreams or spontaneous or deliberately sought for visions, or may emerge simply through a deep fascination with one particular species.
Having discovered one's 'power animal', what happens next? In my case, the discovery of 'my' wolf was quickly followed by the acquisition of a wolf-skin cloak, wolf stories and images, a wolf tooth and a wolf chant. The chant as originally given to me in the 1990s originated with the Seneca people of North America. However, it immediately transformed into a native British wolf chant very different from the Seneca original. I posted it on youtube a while ago.

albino fallow deerDeer are prey animals to wolves and, as such, have an important place in the wolf's world. Visiting a deer park one day about ten years ago, an albino fallow deer shed one of its antlers next to our car. I accepted this rare and precious gift, gathered it and took it home. Washing it off in the shower later, the deer's spirit gave me a song that I recently posted on youtube. I still have the antler...

Having studied other cultures and shared ceremonies with indigenous peoples including the Quileute ('Wolf People') and Makah tribes of the Olympic Peninsula in the Pacific Northwest U.S.A., I know that fregerwildermannsuch animal spirit songs and chants are common around the world. In Britain and Northern Europe, they have been largely lost to the erosion of history and in particular to the onset of Christianity. Early Christian edicts specifically outlaw dressing up as, and acting like, animals. In spite of this, animal-like costumes are still worn as part of folk festivals across much of Europe. Charles Fréger has photographed several such costumes in a series called Wilder Mann.
While some of these folk figures may have traditional songs that accompany their appearance, as does the Padstow 'Obby 'Oss in Cornwall, they have no doubt changed considerably over the years under the influence of a hostile church.
Having been given the two chants featured here, it struck me as a good idea to try and restore a set of spirit animal power songs to our native tradition. The wolf and deer chants represent a beginning and other chants will be added as they come. I've worked with eagle quite a lot, so have high hopes there. My son, Joe, has strong bear magic, so I hope we can come up with a good bear chant. I already have a serpent chant, though not yet recorded. The plan is to establish a collection of songs and chants relating to some of our most prominent native (or formerly native) species and to put them out on CD. In the meantime, I'll post them on youtubBrownbear2e and facebook as and when they emerge and I have time to record them.
I'd appreciate your help. If you work with an animal spirit and have a song or chant that you use to help maintain your link with that animal, please record it (however roughly), post it (letting me know where), and we'll polish it up, re-record it if necessary, and add it to the collection. When the CD comes out you will, of course, be fully credited. Having no idea how much interest in this project there might be, I'm unable to make any estimate as to what, if any, royalties might flow from it. To be honest, that's not my concern. The intention is simply to restore or re-create another, potentially very powerful, aspect of our native spiritual tradition and to share it with those who might find it useful in making, enhancing and maintaining their own relationships with the spirit animals who have so much to teach us and share with us.
Many blessings,
Greywolf /|\