Review – Greywolf's Lair

Book Review: ‘World Druidry’ by Larisa A. White (2021) 3

GreywolfJuly 10, 20213 Comments

Full Title: World Druidry: A Globalizing Path of Nature Spirituality

Author & Publisher: Larisa A. White

Publication year: 2021

Format: Hardback or paperback, 322 pages, illustrated with monochrome photographs.

Website: https://larisa-a-white.com/worlddruidry.html

If you’ve ever wondered what modern Druids believe and what they get up to inspired by their beliefs, then this book is a must for you. It had already created quite a buzz in the Druid community prior to its publication and it not only lives up to expectations but exceeds them. Here I must declare an interest, having been a Druid since 1974, founded the British Druid Order, having many friends in other Druid groups and having worked full-time as a Druid since 1995. This makes me an ideal market for the book, but you don’t need a similar level of commitment to enjoy it. Indeed, anyone with an interest in modern Druidry, Paganism or what academics sometimes call ‘New Religious Movements’ will find it a fascinating and incredibly rich source of detailed, well-researched information. Nothing like it has been attempted before and it will undoubtedly stand as a definitive work for years to come, informing current researchers and hopefully inspiring further research on its subject as well as providing unprecedented insights for the general reader.

It draws on a world survey of Druids conducted by the author (right) over a two-year period. The questionnaire (still available online) is very well constructed, consisting of 189 separate items, allowing respondents to expand on their answers and providing 18 open-ended questions specifically aimed at encouraging longer responses. The fact that the author is a Druid herself encouraged Druid groups to promote the survey online, resulting in 725 respondents from 34 countries returning completed forms, providing detailed insights into all aspects of modern Druidry. White carefully analysed this mass of information, breaking down the results into the book’s eight chapters. These cover Druidry as a personal path, how Druids interact with the world, Druid theology, ritual, meditation, seasonal festivals, etc. In short, all of present-day Druidical life is here, all illustrated with relevant quotes from practising Druids. The sheer quantity of information is astonishing and the author has done a remarkable job in breaking it down into accessible chunks. Whenever the data looks like becoming too complex for words alone, she provides clear, informative bar or pie charts to make it clear.

Having been involved in Druidry for nearly half a century, you’d think there wouldn’t be much I didn’t know about it. You’d be wrong. While the book supports much that I already knew or suspected, either anecdotally or from personal observation, it also contains several surprises, some welcome, others less so. In the latter category, I was shocked to learn the extent to which modern Druids are actively persecuted, primarily by Christians. I genuinely thought we had progressed beyond the kind of medieval thinking that prompts such persecution, yet some Druids, particularly in the USA, still fear to ‘come out’ about their beliefs, even to members of their own families. Globally, the survey reveals that 19% fear discrimination, 17% fear harassment and 8% fear physical assault. These numbers are significantly higher in the USA.

A more welcome finding is the extent to which Nature plays a part in modern Druidry. Those of us who run Druid groups are always banging on about communing with the natural world and its indwelling spirits, but it’s hard to know to what extent the message actually gets through. At least, it was until this book arrived. When asked to rank the importance of different influences on their spirituality, 91% put Nature at the top of the list, 71% Nature spirits. Yay! It’s working! Clearly Druidry warrants its description as a ‘Nature Spirituality’ in the book’s subtitle. 85% of Druids, for example, report being actively engaged in some form of environmental stewardship.

Having spent the last 15 years creating distance learning courses for the BDO, I was also pleased to find Druid courses cited as a major influence by around half of Druids worldwide. That said, another surprise was how many Druids practice their path alone or with a partner, rarely if ever engaging with group celebrations.

As a ‘hard polytheist,’ defined by the author as one who sees their gods as “objectively real,” I was intrigued to find that this belief is shared by only 15% of respondents, while 49% identify as ‘soft polytheists,’ i.e. those who “typically work with their pantheons in a symbolic manner,” and 37% as ‘pantheists,’ regarding “all of Nature [as], in essence, a single, divine consciousness.” The sheer variety of belief revealed in the survey is remarkable. By contrast, chapter 8 is devoted to “Druidry’s Spiritual Common Core.” This finds a shared set of core beliefs that define modern Druidry. Again, engagement with the natural world features prominently.

At the end of the book, the author provides a useful and admirably clear Glossary offering succinct definitions of terms used in the text, including deities from numerous pantheons, folk and seasonal festivals engaged in by Druids, and terms such as ‘animism,’ ‘awen’ and ‘imbas.’ The survey form is included as an Appendix while another lists 147 Druid groups worldwide.

A final thing to commend the book is simply its look and feel. The hardback is a thing of genuine beauty. The attractive, dark blue dust jacket is printed on a high quality paper that feels like velvet while the book inside is fully cloth-bound in a matching shade of blue. It’s a joy to handle, the text clear and readable, the photographs well-chosen and clearly reproduced.

In bringing together such a wealth of information and presenting it with such crystal clarity, Larisa A. White has done a great service to the Druid community, the broader Pagan community, those interested in ‘New Religious Movements’ and general readers with an interest in contemporary spirituality more broadly and with how spirituality impacts on environmental concerns. I therefore wholeheartedly and unreservedly recommend this unique and fascinating book.

Blessings to all,

Greywolf /|\

Cool Britannia? 5

GreywolfJanuary 26, 2018January 27, 20185 Comments

Image result for britannia sky A new TV series called Britannia takes as its setting the Claudian invasion of Britain in 43 CE which began almost 400 years of Roman occupation of England and Wales. In the community at large, the main talking point seems to be whether or not Britannia is trying to be another Game of Thrones clone. In the Druid community, the major topic of debate is the show’s portrayal of Druids. In weighing into these discussions, I am at the considerable disadvantage of being unable to see the programme in question due to not being a subscriber to Sky. That said, I’ll have a go based on what little I’ve been able to glean from brief clips online and other people’s comments.

Image result for britannia sky The chief Druid in the series is portrayed by Mackenzie Crook (above), most recently gracing our screens in the excellent BBC series, Detectorists. In Britannia, he is heavily made up and seems to portray his character as something between a circus performer and a homicidal maniac. Some modern Druids have been quoted in the press as being deeply offended by this portrayal on the grounds that modern Druids are peace-loving people who honour the cycles of nature. In most cases, this is undoubtedly true. I’m a life-long pacifist myself. We may, however, legitimately ask whether the same was true of Druids two thousand years ago. Classical Druids’ ability to bring peace to warring factions is evidenced in Diodorus Siculus’ 1^st century BCE statement that, “Often when the combatants are ranged face to face, and swords are drawn and spears bristling, these men come between the armies and stay the battle, just as wild beasts are sometimes held spellbound. Thus even among the most savage barbarians anger yields to wisdom, and Mars is shamed before the Muses.”

On the other hand, classical Druids bensozia: The Sanctuary of Roquepertuse and the Celtic ... relied for their livelihood on the patronage of the warrior caste that formed the upper echelons of Celtic society, while some Celtic sacred sites were decorated with human skulls (right) or piled with the bones of the dead. Then there are the Druids in medieval Irish literature who use battle magic against their enemies, hurling balls of fire or causing rocks to rain down from the heavens. There is also evidence for human sacrifice among the Celts, albeit on nothing like the industrial scale suggested by their Roman conquerors. Need these have involved Druids? Diodorus Siculus Diodorus of Sicily Livius Diodorus Siculus (left) suggests that they did, writing that the Celts “have philosophers and theologians who are held in much honour and are called Druids. It is a custom of the Gauls that no one performs a sacrifice without the assistance of a philosopher, for they say that offerings to the gods ought only to be made through the mediation of these men, who are learned in the divine nature and, so to speak, familiar with it, and it is through their agency that the blessings of the gods should properly be sought.”

Even from this fragmentary and at times dubious evidence, it seems likely that classical Druids were considerably more robust in their approach to life and death than many contemporary Druids are willing to believe.

The makers of Britannia, however, clearly take Roman descriptions of Druids as the basis for their portrayal. This is problematic in that the Romans were intent on conquering the Celts and as part of that agenda they needed to demonise their intellectual caste, the Druids, since they represented the only organisation in Celtic society capable of uniting warring tribes to resist Roman plans for conquest. To this end, Roman writers characterised Druids as the most bloodthirsty members of a savage race, accusing them of all manner of barbarity, including nailing people’s entrails to trees and making them run around them, divining the future from their death throes. Greek writers, by contrast, who were well acquainted with the Celts, described Druids as wise philosophers, eloquent speakers and counsellors to kings. From what I can gather, Britannia over-emphasises the brutality of Druids for dramatic effect while downplaying the other activities for which Druids were noted, like storytelling, genealogy, healing, music, poetry and the aforementioned counselling.

Druid by Takeda11 on DeviantArt It seems that the Druids in Britannia are also portrayed as regular drug users. There is absolutely no evidence for this. On the contrary, I suspect that the inhabitants of 1^st century CE Britain would have felt much that same as the more recent inhabitants of Siberia, i.e. that any Druid or shaman who needed drugs to access the Otherworld was pretty lousy at their job.

On the whole, then, it looks as though the portrayal of Druids in Britannia revels in dope and gore to excess and ignores most of the other priestly functions Druids fulfilled in their communities. This should go down well in America, where, for historical reasons, the Roman view of Druids as barbaric monsters has always been prevalent.

Image result for britannia sky Incidentally, I note that Britannia Druids are shown gathering in a sort of two storey Stonehenge (above). This will doubtless revive the old argument about Druids being a Celtic priesthood and the Celts not arriving in Britain until many centuries after such megalithic monuments were abandoned. Here again, all may not be as it seems. Julius Caesar, one of the few classical writers who actually met Druids, was told by them that the Druid faith originated in Britain (Gallic Wars, bk.6, ch.13). Celtic culture, on the other hand, originated in central Europe. Assuming Caesar’s informants were accurately reporting their tradition and that Caesar accurately passed on their words, this means that Druids were not Celtic in origin, but native to Britain before Celtic culture arrived here. In which case, as many reputable archaeologists have argued, it is possible that Druids were directly descended from those who built and used Stonehenge and other monuments. There were Iron Age shrines in southern Britain which, like many of their megalithic predecessors, consisted of timber circles enclosed by earthwork banks and ditches, arguing for some continuity of tradition. Iron Age and Romano-British finds at megalithic sites such as the Medway tomb-shrines show that they continued to be visited, though for what reasons we can only speculate. The Iron Age hill fort known as Vespasian's Camp lies a little over a mile from Stonehenge, a short stroll away and Iron Age and Romano-British pottery and other artefacts have been found within the henge. It seems impossible to believe that Druids would not re-use at least some of the stone circles built by their, and our, ancestors. It is hard to imagine that they would not have felt the same sense of ancestral connection and simple wonder that we ourselves feel when we visit such places, even harder to believe that they would simply ignore them.

I’ll probably watch Britannia when it comes out on dvd. After all, when Emma Restall Orr and I (left) sat on a bench watching the rough, grey winter sea at Eastbourne way back in the 1990s, discussing the future direction of the British Druid Order, we decided to make it our goal to bring sex, fear and death back into Druidry. In Britannia, we may have found an ally. In any case, a show that uses Donovan’s ‘Hurdy Gurdy Man’ as a theme tune can’t be all bad…

“Histories of ages past,
unenlightened shadows cast
down through all eternity
the crying of humanity.
‘Twas then when a hurdy gurdy man
come singing songs of love….”

Peace’n’love,
Greywolf /|\

The Earth, The Gods and The Soul: A History of Pagan Philosophy from the Iron Age to the 21st Century 4

GreywolfNovember 9, 2015November 9, 20154 Comments

by Brendan Myers
2013, Moon Books, Winchester (UK) and Washington (US)
313 pages
£11.99 UK, $20.95 US
Listening to religious broadcasts on BBC radio for many years, I'm frequently struck by the easy assumption of so many speakers that only monotheistic faiths have ever made any valuable contribution to culture. This despite the fact that pagans invented philosophy, democracy, scientific enquiry, medicine, representational art and much else besides. I've often thought that someone should write a book detailing the history of pagan contributions to the world in general, and the Western world in particular. Brendan Myers has written just such a book on the theme of philosophy, and a very welcome, highly readable book it is too, full of illuminating insights.
I know some folk are put off by the very mention of philosophy, thinking that a book on the subject must be dry, dusty and full of abstruse terminology and highly abstract notions that have nothing whatever to do with life as it is lived. In these areas, Myers scores very highly by not burdening his text with technical jargon, explaining with precision and clarity the terms he does use and, with warm humanity, revealing the many ways in which philosophy not only effects us, but in many ways defines us, individually and collectively.
At the heart of the whole project of philosophy is the search for answers to questions concerning reality, divinity, humanity and our role in the universe, what happens to us when we die, and how should we best live our lives? With this in mind, Myers (left) introduces us to a range of philosophers, from the classical, Graeco-Roman era through to the present century, setting out with admirable brevity the ideas that are central to their philosophies. Those of us with an interest in the subject, but neither the time nor patience to wade through thousands of pages of texts in search of hidden nuggets must be hugely grateful that a writer with such a keen mind has done the wading for us, located the nuggets and set them out before us so clearly.
The philosophers we meet along the way represent a wide spectrum and some may seem like surprising inclusions. Some historians may question the inclusion of medieval texts produced in Iceland and Ireland, arguing that they were written well into the Christian era and cannot, therefore, accurately reflect pagan beliefs. Their influence on modern Pagans is, however, unquestionable, and one could convincingly argue that they deserve to be included on that score alone. That said, I am convinced that Myers has teased out from among them a set of values that is authentically pagan.
We're on less contentious ground with our next batch of philosophers, beginning with the Pre-Socratics and taking in such famous names as Pythagoras (left), Heraclitus, Plato, Aristotle, Cicero and Plotinus, as well as a number of lesser known luminaries. Once again, Myers succeeds in making their contributions to human understanding readily comprehensible to any moderately intelligent reader. He places them in their historical context, outlines the various schools of philosophy they founded or influenced, and explains how they fit into the evolving scheme of human understanding of our place in the universe. This section closes with a consideration of how pagan ideas returned to the mainstream of European thought during the Renaissance, revitalising not only philosophy, but art, literature and politics.
The third section introduces us to a rebellious group of free-thinkers whose work enlivened the so-called Age of Reason, from the mid-17th century through to the 19th. These include two names familiar to anyone who knows the history of Druidry; the Irishman, John Toland (1670-1722), and the Welshman, Edward Williams (right), a.k.a. Iolo Morganwg (1747-1826). Again, it's good to have such a clear, concise exposition of what these colourful characters actually believed. Others in this section include Spinoza, Rousseau, Ralph Waldo Emerson, Thoreau, Walt Whitman, Schopenhauer and Neitzsche. As Myers admits, none of these gentlemen would have called themselves pagans, yet it's clear from what they wrote that they were part of a tradition of thought that can justifiably be described as pagan. Usually, it is a spiritual, inspirational, sometimes visionary relationship with Nature that marks them out for inclusion in this book.
The next section leads us through the lives and thoughts of another disparate group of colourful eccentrics and outsiders whose thinking has had a profound influence on the modern resurgence of Paganism. These include the founder of Theosophy, H. P. Blavatsky; Sir James Frazer, author of The Golden Bough; the poet, Robert Graves (left, with one of his muses), whose book, The White Goddess, became, despite its author's protestations, a foundational text of both modern Wicca and Druidry; Aleister Crowley, George Russell (AE), whose Candle of Vision, I learn from Myers, was written as the core manual for a Celtic magical order, the Castle of Heroes, proposed by AE's friend, W. B. Yeats; Stewart Farrar, who annotated and published the first full version of the Wiccan Book of Shadows; and Isaac Bonewits, founder of the influential American Druid group, ADF. Along the way, we are guided through the birth of American feminist Wicca, the rise of eco-spirituality and the development of the Gaia hypothesis and the Deep Ecology movement. Given the deep impact that both feminism and ecology have had, and continue to have, on our world, it is fascinating to know where, when and how they developed and to learn more about the individuals involved.
We move then to living Pagan thinkers, several of whom would not describe themselves as philosophers, but whose writings have been profoundly influential on the development of Paganism in the present century. These include such well-known figures as Starhawk (Miriam Simos), Emma Restall Orr (Bobcat), John Michael Greer, Michael York, Vivianne Crowley (right), Janet Farrar and Gavin Bone. I realise that I'm less familiar with the works of Greer and York than I should be and intend to remedy that as soon as possible. It's one of the joys of books like this one that they inspire us to explore further.
I'm honestly awestruck at the sheer range of ideas included in a book just a little over 300 pages long. That they are all explained with such clarity is a huge bonus. I wholeheartedly recommend this book to anyone interested in the enormous contributions pagans have made to human understanding, in what leading modern Pagans think and believe, and in where pagan philosophical thought might go from here. In creating this book, Brendan Myers has done a huge service to the Pagan community. Exceptional and highly recommended.
Many blessings,
Greywolf /|\

The Shamanic Handbook of Sacred Tools and Ceremonies 7

GreywolfOctober 11, 20157 Comments

by Barbara Meiklejohn-Free & Flavia Kate Peters
Moon Books, Winchester, UK & Washington, US, 2015
£9.99 (UK) $16.95 (US)
146 pages
There may be those who feel the following review is a case of, as the old adage goes, “the pot calling the kettle black.” I disagree, but then I would, wouldn't I?
Knowing how much work goes into producing a book, and, as a writer myself, aware of how much bad reviews can sting, I really, seriously dislike writing negative ones. Hence I've sat on this review for several weeks, arguing with myself and others over whether to publish it or not. However, having been given the book to review by the publisher, I feel obliged to offer an opinion, and, of course, it has to be an honest one or what's the point?
The authors of The Shamanic Handbook both seem to live in England, yet refer to the “British Celtic Lands” with no acknowledgement that England, for better or worse the dominant British nation, has a culture that is predominantly Romanised, Anglo-Saxon and Anglo-Norman, not Celtic. To call these islands “British Celtic” is, therefore, to ignore the last 2,000 years of their history. Perhaps they mean the term to apply only to Scotland, Wales, the Isle of Man and perhaps Cornwall and Ireland? If so, it would be good to know that and not simply have the contentious term, 'Celtic' bandied about without explanation. Despite many references to these “Celtic lands,” most of the Old World traditions referenced in the book are either Graeco-Roman or Egyptian. This gives the impression that the writers are following in the footsteps of numerous New Age authors and simply using 'Celtic' as a popular buzz-word. On her website, Barbara Meiklejohn-Free claims to have been born in Scotland. The book, however, has no mention of this in the short chapter on ancestors, which ends in a very non-Celtic way with the Lakota phrase, mitakuye oyasin, usually translated as “all my (or our) relations.”
The term, 'shaman' is used with equal abandon, though with a little more explanation, albeit not until page 130, when it is acknowledged that the word “most likely” originates with the Evenk people of Siberia. On the same page, the authors admit that “There have been many heated debates about using the name 'Shaman.'” They conclude that “This is an individual and personal choice, which carries a great personal responsibility, for words have power and names have meanings.” Words also make up languages, and languages are a vital component of the cultures in which they develop and are used. Personally, my choice is informed by sensitivity towards the people amongst whom spiritual traditions originated, who have guarded and transmitted them for untold generations, and who see them as vital to the survival of their cultures and peoples. Few of my friends who follow paths that might be described as shamanistic call themselves 'shamans.' Most, like me, either use terms specific to their own cultures or non-culturally-specific terms such as 'spirit worker.'
Another aspect of the book I find problematic is that Native American concepts, terminology and ceremonies feature prominently throughout it, with no attempt whatsoever to address the question of cultural appropriation. A gathering of the Lakota, Nakota and Dakota peoples more than twenty years ago declared war on non-Native New Agers who 'steal' Native American spirituality and sell it for profit, and many other Native Americans equally strongly oppose what they see as the ultimate act of theft committed against their people. Hence my unease that so much of the spiritual language in this book is couched in Native American, specifically Lakota, terms, and that several exercises given in it are derived from Lakota sacred ceremonies. We are given no indication as to why, or by what right, two British women are offering these things to us. Without such background information, this smacks of 'Wannabee Indian Syndrome.' A Native American friend, TC (short for Thundercloud), once asked me to convey a message to people in Europe. He said “Tell 'em not to put us Indians on pedestals; we're liable to fall off.” Based on the contents of this book, it seems that its authors have not got this message.
The path I was drawn to is Druidry, in large part because, so far as we can know, it originated here in Britain, where I was born, where I still live, and where my ancestors lived as far back as it is possible to trace. My ancestry combines Welsh, Scottish and Anglo-Saxon blood lines, so while my spirituality is rooted in Druidry and its antecedents, I also honour Anglo-Saxon deities. This makes sense to me, genetically and geographically. Like the authors of this book, I sometimes travel to other parts of the world. I have taken part in drum circles with Quileute and Makah folk of the Pacific Northwest. In doing so, I follow the beats and, so far as I am able, the words, of the chants and songs, but do so as a British Druid, not as a Wannabee Indian. Like the authors, I gain great inspiration from interactions with indigenous peoples, but that inspiration helps me to renew, refresh or restore long-lost parts of my own native heritage.
For example, I make drums with one of my sons. Some aspects of the process derive from videos posted online by Native American drum-makers, others were inspired by Central Asian, Norwegian, Siberian and Irish drum-making practices. I believe that frame drums of a similar type were once made in Britain, though I know of no specific evidence. Being organic and quite thin, frame drums rarely leave any archaeological trace. We use locally sourced materials. Barbara Meiklejohn-Free has drums made in the USA and imported to the UK to sell. They are mentioned many times in the book and described in detail. I'm sure they're very good drums, but the trees from which the hoops are made, and the animals whose hides form the drum-skins, lived in a land thousands of miles away, separated by the vast Atlantic Ocean. When there are many fine drum-makers here in Britain, why import drums from such a distant land? Apart from anything else, what about the carbon footprint from having them flown all that way?
The same goes for Californian Sage, also referenced repeatedly in the book, which she also imports and sells. Again, why? Clearly because it's used by Native Americans. However, we have our own British tradition of cleansing and purifying with smoke, commonly known by the Scottish term, 'saining.' We have our own native herbs that can be used for this, including Mugwort (left), St. John's Wort, Yarrow, Meadowsweet and others. None are mentioned here. Instead, the section on herbs is basically one long advert for the imported Sage bundles that Barbara sells. This seems doubly strange since she claims to have been taught “the Old Ways” by a Scottish seer from the age of twelve. Perhaps saining was not one of the old ways he introduced her to.
In curious contrast, the authors refer to “dire consequences” resulting when hallucinogenic plants, or “plant medicines” as they call them, are used away from their native geographical and cultural context. Here I am in agreement with them, but this simply makes their failure to apply the same principle to other sacred herbs and tools all the more baffling.
The sheer quantity of product placement in the book means that at times it reads more like a sales catalogue than a guide to a spiritual tradition. While I am the first to acknowledge that spirit workers have a right to be paid for what we do just as much as any other profession, I am uncomfortable with the amount of overt advertising here, where we are continually told of products available at the back of the book. Ironically, on turning to the back, there is no information about the products.
This calls attention to other technical problems with the book, including many typographical errors, the seemingly random ordering of information, and the frequent repetition of the same information in slightly different forms. I'm not sure what went wrong here, as Moon Books are usually good on proof-reading.
The book is clearly pitched at people interested in the Michael Harner, Californian school of New Age global shamanism. Although there is no shortage of advice for them, and some of it is good, it is a shame that it is wrapped up in so much that is contentious, poorly explained or entirely unexplained.
My advice to those seeking spiritual sustenance is to first look to the traditions of your own land and ancestry. If you live elsewhere in the world but your ancestors are European, look to your ancestral traditions first. For other combinations, use your common sense. Begin with those traditions with which your ancestry gives you a natural affinity. Engage with them as fully and deeply as you can, immerse yourself if them, allow them to become your key to engaging with the spirits around you. Then, when you are fully and firmly grounded in your own native tradition, you can engage on an equal footing with practitioners of other traditions wherever you go, with mutual respect and without accusations of cultural theft.
Books offering sound, practical introductions to native British traditions have been available since the early 1990s and there are many to choose from. For those seeking an overtly shamanistic approach to those traditions that is well-written, inspiring, practical, and culturally coherent, I recommend 'The Druid Shaman,' by Danu Forest (Moon Books, 2014). OK, it does have that problematic word, 'shaman,' right there in the title, but the author is aware of the problem and uses it in its broad anthropological sense as a shorthand to alert potential readers to the style of Druidry found within it. As a title, 'The Druid Shaman' is considerably less ungainly than 'a Druid way of engaging with spirits of plants and animals, land, sea, sky, gods and ancestors for the purposes of bringing about healing or divining hidden knowledge for the benefit of one's community.' I still look forward to the day when we no longer need to use 'shaman' as a shorthand because people understand Druidry as an indigenous tradition without the need to qualify it as 'shamanistic.' One day...
Greywolf (Philip Shallcrass)
October 9th, 2015

(Pagan Portals) Nature Mystics: The Literary Gateway to Modern Paganism

GreywolfSeptember 12, 2015Leave a comment

by Rebecca Beattie
Moon Books, Winchester (UK) & Washington (US), 2015
£4.99 UK, $9.95 US
132 pages.

This little book is a joy to read, delving into the lives and works of some well-known, and many lesser-known, British and Irish literary figures in search of the origins of contemporary Paganisms. The writers, five men and five women, are selected because the philosophies that underpin their writings place them all in the category of Nature Mystics, defined by the author as “someone who has mystical experiences in nature, or connects to the divine through nature, and uses that connection as fuel for inspiration.” The familiar writers are John Keats, Thomas Hardy, D. H. Lawrence, W. B. Yeats, J. R. R. Tolkien and E. Nesbit. The less familiar are Mary Webb, Sylvia Townsend Warner, Elizabeth von Arnim and Mary Butts.
Rebecca Beattie (left) writes with admirable clarity about her chosen authors, her format being first to give a brief overview of them, followed by an account of their lives, their spirituality, and then their writings, quoting passages to show how their spirituality is expressed in their work. Within this format she offers many, often surprising, insights into both the authors and their works.
The only writers about whose lives I knew much were Yeats and Tolkien, plus a little about D. H. Lawrence, so it was a pleasure to learn more about the others. About the life of Sylvia Townsend Warner (below), whose work I have admired for many years, I knew nothing. It turns out to have been every bit as unusual as her published work. In her youth, she was a member of the 'Bright Young Things,' the 1920s equivalent of the 'Swinging London' scene of the 1960s and just as interested in drugs, sex and parties. At 19, she began a lengthy affair with a much older, married man. At 34, she fell in love with another woman, a transvestite poet called Valentine Ackland, and they set up home in rural Dorset, living together as though married for nearly forty years.
Her first novel was Lolly Willowes, published in 1926, in which the eponymous heroine moves to a country cottage and joins the village's coven of witches, going out with them once a month to dance with the devil. Lolly, however, finds that she fits in with this rustic coven just as poorly as she fitted in with the well-to-do county set of her youth. Telling the devil she finds the coven boring, our heroine walks off into the night. In Nature Mystics, we learn that Warner's account of the coven was inspired by Margaret Murray's book, The Witch Cult in Western Europe, and that Warner sought Murray out, got to know her, and expressed a wish to “join her coven.”
Numerous other biographical details prove equally illuminating. Who knew, for example, that Edith Nesbit(left), beloved author The Railway Children, Five Children and It, and other childhood classics, was also a member of Britain's most famous magical society, the Hermetic Order of the Golden Dawn? I certainly didn't. Nor did I realise that some of her lesser-known children's books contain plots and passages clearly influenced by her knowledge and practice of ceremonial magic with Golden Dawn colleagues that included W. B. Yeats, another of the featured writers.
It is a credit to Rebecca Beattie's own gifts as writer that, as I read her accounts of these literary figures, I often found myself thinking, “Hmm, I must look out for a copy of ...” whichever of their books she happened to be discussing at the time. Two examples are Mary Webb's Precious Bane (1924) and her husband, Henry's, The Silences of the Moon (1911). Beattie has also inspired me to go back and read Sylvia Townsend Warner again. I first discovered Warner's work through a collection of short stories entitled Kingdoms of Elfin, in which her funny, charming, magical, often anarchic tales rescue the Faery Folk from their twee, butterfly-winged Victorian portrayal and return them to their origins as shape-shifting illusionists, scary pranksters or courtly nobles.
I wholeheartedly recommend this book to anyone interested in the literary background to modern Paganisms, or simply interested in learning more about the lives, loves, longings and spiritual insights of a wide range of great English writers.
Greywolf (Philip Shallcrass)
August 31st, 2015

This Ancient Heart: Landscape, Ancestor, Self

GreywolfSeptember 11, 2015Leave a comment

eds. Paul Davies & Caitlin Matthews
Foreword by Graham Harvey
Afterword by Ronald Hutton
Moon Books, Winchester (UK) & Washington (US), 2015.
£8.99 UK, $14.95 US
198 pages

This book explores how we humans in the 21st century relate to the spirits of the lands in which we live, their other-than-human inhabitants, and our collective and individual ancestors. By a series of turns of fate, I'm writing my review in the ideal setting of a quiet garden, overlooked by an ancient oak tree that occasionally drops acorns around me as a pair of hunting Buzzards circle overhead, their piercing cries borne on a soft summer breeze. Ideal because it chimes so well with the subject matter of this hugely enjoyable, informative and thought-provoking book. Each of the thirteen writers brings a unique perspective, making it an absolute pleasure to read. Remarkable for its breadth and depth, this is the best-written, most refreshingly original anthology I've come across in years, and I'm not just saying that because I wrote one of its chapters.
The book opens with a foreword by Graham Harvey (right), a Pagan academic who has done much to popularise the philosophy, or life-way, of Animism amongst modern Pagans and to enhance our understanding of it. The introduction by Paul Davies, known to his friends as Oddie, follows, setting out the parameters of the book and briefly running through each of its chapters and the areas they cover. The first chapter is by my friend, colleague and long-time companion, Emma Restall Orr. It is written in her unique style, combining poetry with precision, asking searching questions about dying, death, afterlives and how we, the living, interact with the dead. As a true visionary who genuinely does see dead people pretty much all the time, she is ideally suited to her task. My own chapter follows, detailing my personal relationship with Wolf spirits and with animals as ancestors, a concept that occurs in many archaic cultures, including those that comprise the British Isles.
Emma is far from the only friend and colleague in these pages. The next chapter, by Heathen academic, Jenny Blain (left), outlines a Heathen approach to ancestors, land wights and other spirit beings, particularly through the type of trance mediumship known as Seidr. Another Heathen academic, Robert Wallis, follows this with what is, for me, one of the stand-out chapters of the book and, indeed, one of the best pieces of Pagan writing I've ever read. He describes in clear, poetic prose how his practice as a Heathen intersects with every aspect of his life, weaving his spirit and spirituality into the landscape around his home in so many ways, from early morning hunting forays with his hawk companion to acknowledging the lives of the labourers who built and dwelt in the 18th century cottage he now inhabits. Honestly, this chapter is such a joy to read that I would recommend the book on the strength of it alone. It is, however, far from alone.
The next chapter is by Caitlin Matthews (right) who, with her partner, John, has done so much to enhance Pagan awareness of the Celtic heritage of the British Isles. Her chapter is the first to offer specific meditation exercises aimed at enhancing our relationship with spirits of place and, through them, with the earth and the ancestral chains of being to which all living things belong. That's not to say that previous and subsequent chapters won't also encourage you to find, form and maintain new, different or enhanced relationships with the natural and spirit worlds. Each contribution is, in its own way, written with that aim in mind.
Camelia Elias (right) found inspiration for her contribution in the work of Colin Murray, late chief of the Golden Section Order, who expressed his own quest for spiritual meaning in part through complex drawings interweaving symmetrical shapes with natural forms. Camelia explains this far better than I can, but I was touched to find a reference to Colin Murray here, having enjoyed meeting him briefly at a festival in Polgooth many years ago. Another outstanding contribution follows, this from Sarah Hollingham, who eloquently describes her experiences of tuning in to the spirits of the natural world as a Quaker. Her description of a Quaker group forming a circle in the open air in a field and attuning to nature through meditation reminded me so much of so many Druid camps. The more I learn about Quakers, the more I admire their approach to life.
Yet another stand-out chapter follows, this by Luzie U. Wingen (left), a geneticist who offers fascinating insights into the role of genetics in carrying information across time, and how what is carried may be altered by factors that include not only the survival of the fittest, but human manipulation and also sheer dumb luck, or the lack of it. Her primary examples are wheat, from its Anatolian origins to modern mono-cultures and beyond; oak trees and the ways in which they re-colonised the British Isles after the last Ice Age, some species becoming localised while others did not; and humans, in all our diversity, sprung from a single African origin. The clarity with which she writes is an object lesson in how to make science not only approachable but compelling.
The next chapter, by David Loxley, head of The (Ancient) Druid Order, proved enjoyable for all the wrong reasons. He writes in a style that characterised New Age writing before the term New Age came into vogue, i.e. from about 1930 to around 1980. To take one example out of many, he relates the first three letters of the word 'ancestors' to the Egyptian symbol, the ankh, then goes on to claim that “The word 'ankh' is hidden in the English language in the word England, Angleland, or Ankhland.” Other equally bizarre assertions tell us that crowns worn by royalty were “originally a statement that they were representatives of the pole star on earth,” and that “shopping is a fertility rite, which we have inherited and interpreted into the past tense.” What does the latter sentence even mean? As said, I thought this school of spurious and illogical reasoning had died out decades ago. To find it here, amongst so many well-researched, well-argued pieces by other writers, merely adds to the impression of stumbling across a quaint relic of a bygone age. Then again, I suppose it has its place, if only on the grounds that The (Ancient) Druid Order were ancestral to the modern era's most successful Druid group, the Order of Bards, Ovates and Druids. The latter are ably represented in the book's final chapter by Penny Billington (left), who has edited OBOD's Touchstone newsletter for the last fourteen years. Penny reflects on ways in which British legends are woven into our landscape and our national and personal identities, and how these affect our spiritual relationships with ourselves, our lands and our ancestors.
In this brief run-through it's impossible to give more than a fleeting glimpse of the riches this collection has to offer. It concludes with an afterword by another old friend, Professor Ronald Hutton, Britain's leading historian of Paganism. Ronald's approach to history is rigorous and demanding, so it should come as no surprise that he brings a critical eye to this book, asking probing questions of the contributors before ending with these words, “This collection of essays shows how well a language of communion with the natural world and ancient peoples can still be expressed in the current time. If we can go on to work through the issues I have raised here, then we stand a very good chance of using our beliefs to make a real impact on society at large.” To which I can only say, Awen to that, brother … and I feel a sequel coming on.
If you've ever wondered how modern Pagans and other spiritual folk are currently responding to issues to do with connecting with the spirits and the physical realities of nature and of our communal and individual ancestors, or if you are looking for ways to enhance your own relationships in these areas, then this richly rewarding, varied and profoundly inspiring book is the ideal place to look.
Greywolf (Philip Shallcrass)
30th August, 2015.